Background: Charmion and more


Charmion:
Facts: Charmion, or sometimes Charmain, was born Laverie Cooper on July 18, 1875.  She was a vaudeville trapeze artist and strongwoman.  Following is a description of her famous trapeze disrobing act.  An act filmed by Thomas Edison in 1902.

“She… attempted one or two [trapeze] tricks, but seemed to find her clothes a bother, so she began to unhook her waist… Finally the waist came off.  Then she hung by her feet and the skirts, etc., naturally fell down over her head, leaving a view of lace unmentionables, black stockings, purple garters, and a large amount of pink silk fleshlings between the garter and the hips… [So] she loosened and removed “skirts,” “unmentionables,” chemise, shoes, garters, stockings, and hat until clad in the conventional costume of the female acrobat.” New York Dramatic Mirror, 25 December 1897, 18.  Quoted in Blue Vaudeville: Sex Morals and the Mass Marketing of Amusement 1895-1915, Andrew Erdman

Charmion was one of many female “disrobing” artists of the time.  Rachel Shteir in Striptease: The Untold History of the Girlie Show writes:

“Through their derring-do, acrobatic and equestrienne undressing acts ventured not simply that women could act as men or vice versa, but that the genders shared more than many observers acknowledged.  These acts required strength and agility, grace, and brute force, not simply nakedness.  The modern self-referential quality of undressing acts begins here on the flying trapeze, and a number of female acrobats undressing in the air during this era display a new physical awareness.”

Shteir goes on to say “To some observers, Charmaine [sic] was respectable because she made a museum exhibit of her body.  A photo of her in 1901 showed just her back, in the style of body builders.”

About trapeze – “invented” in 1859 by a Frenchman, Jules Leotard.  Leotard also invented the aerialist costume, now also used by dancers and gymnasts – the leotard.

In the late 1800’s, vaudeville was drawing middle-class women into the theatres in large numbers.  And the audiences of the day “considered undressing acts anything but vulgar and coarse.”  “Historian Robert Synder calls vaudeville’s combination  

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